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Aboriginal history, art and artists
  • 65,000BC - 1770 Aboriginal people are the inhabitants of this land. Cultural events celebrate the Dreaming and communicate stories through oral accounts, visual symbols, dance and music. The stories tell of beginnings, survival and relationships. 

 

  • 1770 Captain James Cook raises the British flag on Possession Island and claims Australia for the British Government. The British assume the land is terra nullius. All Indigenous rights are extinguished and no British citizenship rights were granted.

 

  • 1788 The British First Fleet landed at Sydney Cove on January 26th, with 9 more ships arriving over 3 days. Issues involving con- flict and resistance between Aborigines and Europeans start almost immediately.  Pemulwuy, a Bidgegal warrior, conducts a guerilla war from 1788 until 1802 and leads the attack on the British settlement at Toongabbi.

 

  • 1789 Smallpox decimated the Koori population of Port Jackson, Botany Bay and Broken Bay

 

  • 1816 Governor Macquarie gives selected Indigenous Australians ‘passes’ and the protection of British Law. This ‘pass’ is a metal breastplate. Other Indigenous Australians may be shot on sight if they are found carrying spears near the houses of the new invaders/colonists.

 

  • 1822 Governor Macquarie gives Bungaree from Broken Bay near Sydney a life pension and protection for his contribution to Matthew Flinders’ two explorations around Australia.

 

  • 1830-1880 European pastoral expansion and the forceful dispossession and decimation of Indigenous communities.

 

  • 1835 Indigenous Australians in Tasmania are forced to settle on Flinders Island.

 

 

 

  • 1838 Myall Creek massacre. The settlers who shoot and kill 28 Kamilaroi people are the first group to be punished under Australian law.

 

 

  • 1848 NSW Native Police troopers are brought to QLD to kill Aborigines and open the land up for white settlement. 

 

  • 1869 In Victoria, the Board for the Protection of Aborigines is established with the power to remove children from their families. Other states follow: South Australia in 1880, NSW in 1883, Western Australia in 1886, Queensland in 1897,

 

 

 

 

  • 1901 Indigenous people are excluded from the Constitution, Census and laws. 

 

  • 1909 NSW Aborigines Protection Act increases the power of the State police and government appointees, allowing them to place Indigenous people in reserves under their protection. Other states follow.

 

 

 

 

  • 1929 Primitive Art Exhibition, Victoria

 

  • 1930's Social Realist artists Yosl Bergner and Noel Counihan depict Indigenous people under the impact of racism and European colonial expansion.

 

  • 1931 Arnhem Land Aboriginal Reserve declared.

 

 

 

 

 

  • 1937 Aboriginal Progressive Association formed in NSW to promote the abolition of the policy of the removal of Aboriginal children from their families.  First Commonwealth–State Conference on ‘native welfare’ adopts assimilation as the national policy.

 

 

  • 1937-38 Albert Namatjira has sell-out exhibitions in Adelaide and Melbourne.

    (Despite public outcry he was jailed in 1959 for selling alcohol to his cousin and died the same year.)

 

  • 1938 The first Australian Aboriginal Conference, A Day of Mourning, is held in Sydney to support and promote a ten-point plan for ‘justice, decency and fair play’.

 

  • 1940's-50's Aboriginal art from Central Australia and Arnhem Land collected by missionaries and ethnographers are displayed in museums as ethnographic objects, not works of art.

 

  • 1941 Art of Australia (1788–1941) exhibition tours the USA and includes a large selection of Indigenous art.

 

  • 1960 Aboriginal Art exhibition, Art Gallery of NSW

 

  • 1961 Australian Institute of Aboriginal Studies is formed in Canberra

 

  • 1962 Aboriginal people in Queensland, Western Australia, and the Northern Territory are given the right to vote in Federal Elections

 

  • 1965 Freedom Rides by Charles Perkins and Sydney University students draw attention to discrimination and segregation in towns in north-western NSW.  The ALP deletes “White Australia” from its immigration policy (Integration Policy replaces “Assimilation Policy as governments position regarding Indigenous People

 

  • 1966 The Gurindji Walk-Off starts a seven year campaign for Aboriginal Land rights in the Northern Territory. Stock workers were the first to walk off protesting intolerable working conditions and wages, but refused to accept any outcome other than the return of their land

 

  • 1967 White Australians vote in a May 27 referendum on whether Aboriginal people should be included in the census and wether the Federal Government should make laws overriding current state jurisdiction over “Aboriginal Affairs”. The vote was a 90% YES , ending constitutional discrimination. All states except QLD abandon laws and policies discriminating against Aboriginal people.

 

  • 1968 W E H Stanner in his Boyer lectures refers to the exclusion of Aboriginal history from the national consciousness as the great Australian silence.

 

  • 1971-72 Geoff Bardon encourages Papunya community members to use a Western medium (acrylic paint and canvas) to paint their Dreaming stories. This action initiates an Indigenous art movement and a cultural revival in Central Australia and beyond.

 

  • 1972 The Tent Embassy was set up outside Parliament House in Canberra, demonstrating for land rights and social justice 

 

  • 1975 Commonwealth Racial Discrimination Act..

 

 

Paintings

Drawings

Body Art

Clothing

Carvings

Constructions

Utensils – Roy Barker, NSW Artists

 

 

 

H J Wedge, Captain Cook Con Man, 1991, acrylic on masonite.

 

Peta Lonsdale, Koori Flag, 1993, acrylic on canvas board. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Augustus Earl, Portrait of Bungaree Wearing a Breast Plate, 1820s.

 

 

 

 

 

H J Wedge, Receiving Stolen Goods (diptych), 1994, acrylic on canvas.

 

 

Karen Casey, Shape-shifter, 1994, oil and acrylic on linen.

 

 

Ray Baker/Jimmy Baker tapes.

 

 

 

 

 

 

 

 

 

 

 

 

 

Ian Abdulla, Bike Riding at Night, 1994, acrylic on canvas.

Alice Hinton-Bateup, Ruth’s Story, 1989, screenprint on paper.

Elaine Russell, Inspection Day, 1994, acrylic on cardboard.

 

 

 

 

 

 

Michael Riley, Three images (untitled) from Sacrifice series of photographs, 1992.

 

Elaine Russell, Inspection Day, 1994, acrylic on cardboard.

 

 

 

 

 

 

Lin Onus, And on the eighth day …, 1992, oil on canvas.

 

 

 

 

Ginger Riley Mundawalawala, This is My Country – This is My Story, 1992, acrylic on canvas.

 

Alice Hinton-Bateup, Ruth’s Story, 1989, screenprint on paper.

Bronwyn Bancroft, You Don’t Even Look Aboriginal, 1991, gouache on Stonehenge paper.

 

 

Albert Namatjira has influenced numerous artists in this kit.

Thancoupie has been likened to Albert Namatjira for her innovations.

 

Bronwyn Bancroft, Treaty, 1991, gouache on paper.

 

 

 

Namiyal Bopirri, Guruwana Story, 1993, earth pigments on bark.

 

 

 

 

 

 

 

 

 

 

 

Maria Josette Orsto, The Kurlama, 1995, fabric design.

 

 

 

 

 

 

 

 

 

 

 

 

Robert Campbell Jnr, Roped Off at the Pictures, acrylic on canvas.

 

 

 

 

 

 

 

 

 

 

 

Merv Bishop’s photograph of Vincent Lingiari and Prime Minister Gough Whitlam, Yiribana Catalogue, Art Gallery of NSW.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ronnie Tjampitjinpa, Untitled, 1994, acrylic on canvas. Michael Nelson Tjakamarra, Untitled, 1990, acrylic on paper.

 

 

 

Isabell Coe, Tent Embassy with Mum Shirl, 1993, oil on canvas.

 

 

Destiny Deacon, Three Wishes triptych: First, Second Wish, Third Wish, 1995, bubble jet prints from Polaroids.

  • 1976 the Utopia station, 200 km north-east of Alice Springs, is purchased by the Aboriginal Land Fund Commission. In 1979 the Anmatyerre and Alyawarre finally regain ownership of their land. The income from Batik plays an important role in their land claims.

 

  • 1980 Link Up (NSW) Aboriginal Corporation is established to support the reunion of Aboriginal families forcibly separated through the removal of the children.

 

 

  • 1984 Elders from Warlukurlangu paint the school doors at Yuendumu with ‘the true Dreaming’ to educate the children at the school.  Koori artists exhibit at Artspace, Sydney.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  • 1985 Uluru was handed back to its traditional owners. Satellite television at Ernabella broadcasts bilingual programs for the education and culture of Central Desert communities.

 

 

  • 1987 The commencement of the Royal Commission into Aboriginal Deaths in Custody. Boomalli Aboriginal Artist Co-operative established

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  • 1988 At the Bicentennial Celebrations, Indigenous people march to promote their issues. Aboriginal Memorial, Sydney Biennale, curated by Djon Mundine.

 

  • 1989 Magiciens de la Terre exhibition, Paris, curated by Peter McKenzie

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  • 1990 The Council for Aboriginal Reconciliation was established. Rover Thomas and Trevor Nicholls represent Australia at the Venice Biennale.

 

  • 1991 The Royal Commission into Aboriginal Deaths in Custody presents it report and recommendations to the Federal Government. The commission investigated 99 deaths and found in 43 cases the people had been separated from their families as children.

 

 

  • 1992 High Court Mabo Decision declares terra nullius a legal

    fiction and recognises rights at common law of Indigenous peoples

    to their land

 

 

 

  • 1993 The Commonwealth Government’s Native Title Act establishes the principle and processes to be used in native title claims.

 

 

  • 1995 The Bringing Them Home report is released after a national inquiry into the separation of Aboriginal and Torres Strait Islander children from theirfamilies.

 

 

 

 

 

  • 1997 Three Indigenous women (Emily Kame Kngwarreye, Yvonne Koolmatrie and Judy Watson) represent Australia at the 1997 Venice Biennale.  National Sorry Day May 25th (no Government participation)

 

 

 

 

 

 

 

  • 2001 Cathy Freeman wins Gold at the Sydney Olympics and

    proudly displays the Aboriginal flag on her victory lap of the

    stadium. Aden Ridgeway is elected deputy leader of the Australian Democrats in April 2001. He is the first Indigenous person in Australia to be elected to a leadership position in a political party with parliamentary representatives.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  • 2002 Nation Indigenous Times first published on 27 February, 2002. Set up by the founder of the Koori Mail and a group of Indigenous and non-Indigenous Australians.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  • 2003 Adam Goodes is awarded the Brownlow Medal in AFL.

     

    Cathy Freeman retires from competitive running.

     

     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  • 2005 The Deadly Awards celebrate their tenth anniversary, Sydney Opera House.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Emily Kame Kngwarreye, Untitled (Alhalkere), 1990, acrylic on linen.

 

 

 

 

 

 

 

 

Alice Hinton-Bateup, Ruth’s Story, 1989, screenprint on paper.

 

 

 

Jeanie Nungurrayi Egan and Thomas Jangala Rice, Ngapa (water), Pamapardu (flying ant), Wardapi (goanna), Ngarlkirdi (witchetty grub) Dreaming, 1994, acrylic on canvas.

Brenda L Croft, Billie — Flowers, Knees and Cigarette, from the Strange Fruit series, 1994, layout stat colour print.

Michael Nelson Tjakamarra, Untitled, 1990, acrylic on canvas.

 

 

 

 

 

 

 

 

 

 

 

Gordon Bennett, Sleeping Man, Hanging Man (after Robert Gober), 1993, synthetic polymer paints on canvas.

Rea, Look Who’s Calling the Kettle Black, and Resistance 111

Robert Campbell Jr, Death in Custody.

Gordon Bennett, Brenda L Croft, Brook Andrew, Bronwyn Bancroft, Euphemia Bostock.

 

 

 

David Spearim (Fernando), Invasion Day, 1988, acrylic on canvas.

 

 

 

Jeanie Nungurrayi Egan and Thomas Jangala Rice, Ngapa (water), Pamapardu (flying ant), Wardapi (goanna), Ngarlkirdi (witchetty grub) Dreaming, 1994, acrylic on canvas.

 

 

 

 

 

Rover Thomas, Dreamtime Story of the Creation of the Erskine Range, acrylic on canvas.

 

 

Robert Campbell Jr, Death in Custody, 1987, acrylic on canvas.

Rea, Resistance III, 1994, a series of computer-generated C type prints.

 
Dennis Nona, Imanoh, 1992, linocut.
 
 
 

 

 

 

Lin Onus, And on the Eighth Day … , 1992, acrylic on canvas.

 

 

 

 

Alice Hinton-Bateup, Ruth’s Story, 1989, screenprint on paper.

Rea, Suitcase of hope, books and empty words, mixed media installation.

 

 

Emily Kame Kngwarreye, Untitled (Alhalkeve), 1995, acrylic on linen

Yvonne Koolmatrie, Eel Traps, 1993, sedge rushes

Judy Watson, Travelling, 1995, mixed media on canvas

 

 

 

Ochre. AGNSW, 2 November 2000 ­– 6 May 2001. 

Collection of bark paintings, featuring the works from north-east Arnhem Land in the late 1950s and early 1960s.

 

Reconciliation 2001. AGNSW, 25 May – 11 June 2001.

Student Art Exhibition celebrating Reconciliation Week.

 

Genius of Place: The Work of Kathleen Petyarre. MCA, 9 May – 22 July 2001.

Exhibition featuring more than 40 paintings, batiks and works on paper spanning the artist’s career of almost 25 years.

 

Boomalli exhibitions in 2001:

• Centenary vs Eternity – Centenary of Federation – Open Invitation

• Kevin Gilbert – Retrospective

• Jeffrey Samuels – Stylin Up

• Euphemia Bostock and Bronwyn Bancroft – Back to back – Black to Black

• Gordon Hookey and Gordon Syron – In Ya Face

 

 

 

Ngurra Kutu (Going Home)

www.artgallery.nsw.gov.au/exhibitions/archived/2002/ngurra_kutu_going_home
Art Gallery of NSW, 8 September 2001 – 23 June 2002. An exhibition demonstrating the diversity of Aboriginal and Torres Strait Islander Art.

Dancing up country: The art of Dorothy Napangardi. MCA, 11 December 2002 – 9 March 2003.

Boomalli exhibitions in 2002:

• Harry J Wedge – Biennale of Sydney

• Vee Thornbury – Solo

• Darren Cooper – Solo

 

 

Tracey Moffatt. MCA, 17 December 2003 – 29 February 2004.

A major exhibition which brought together all her major photographic series and films from the mid-1980s to the present day.

Maningrida Threads: Aboriginal Art from the MCA Collection. MCA, 26 March – 1 June 2003.

 

 

Tracey Moffatt – Being – Under the sign of Scorpio. Roslyn Oxley9 Gallery, 4 – 27 August 2005.

Croft and Tracey Moffatt.

 

National Indigenous Art Triennial 07 – Culture Warriors, National Gallery of Australia, 13 October 2007 – 10 February 2008.

The inaugural National Indigenous Art Triennial with the work of thirty artists from each state and territory, reflecting the vast range of contemporary Indigenous art practice.

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